Godzilla (MonsterVerse)

"We call him... Gojira."

- Ishiro Serizawa (Godzilla)

Godzilla ゴジラ (Gojira) is a created by  that first appeared in the 2014 film Godzilla.

Name
Godzilla in this continuity gains his name from Ishiro Serizawa, who calls him by "Gojira", with other English characters eventually coming to call him Godzilla over the course of the film's events.

Appearance
The Legendary Godzilla's face is shaped very squarely, its neck is broad and appears to have shark-like gills. Its eyes are a yellow color, and its teeth are small and not nearly as straightly lined up as the previous Godzilla designs.

The nostrils of this Godzilla are more separate than previous Godzillas, with them being in opposite sides of the snout, making it more reptile-like instead of the more mammalian fashion of being close together in front of it. This Godzilla's head and neck seem to lean forward more so than any previous design. Its dorsal fins are smaller than the previous designs, but they still retain the core maple-leaf shape, although straighter and very sharp, somewhat like the 2000 Godzilla's, creating a more jagged look when rising from the water.

The Legendary Godzilla's claws are black color, and its feet are wider and resemble an elephant's foot with larger claws more than the other Godzilla designs do. Its skin is more reptile-like, crocodile-like and rougher than the other designs, and is a dark shade of grayish green. Its body and tail are very wide as well, making it look somewhat bulkier than other Godzilla designs.

Legendary has confirmed that their Godzilla's tail is 550 feet and 4 inches long, his height is 355 feet, there are exactly 89 dorsal spines running down his back, the palm of his hands are 34 feet and 4 inches each, and that his roar can be heard from 3 miles away, loud enough to make an opponent go deaf.

Roar
The Godzilla roar was revamped for the movie. According to Edwards, sound designer Erik Aadahl and fellow sound designer Ethan Van Der Ryn spent six months over the three-year production getting the roar right. Using microphones that could record sound inaudible to humans, the team found sounds to match the initial shriek and the finishing bellow of Godzilla's iconic roar.

The final version that was created was the 50th the team produced. The pair tested the roar on a back lot at Warner Bros., using a tour speaker array for The Rolling Stones, and estimated that it could be heard 3 miles away.

Personality
In Godzilla, Godzilla's behavior seems to be that of a territorial animal. Ishiro Serizawa theorized that this Godzilla is the driving force to restore balance to nature whenever that balance is disrupted, suggesting that he essentially considers the entire Earth to be his territory.

However, unlike previous incarnations, he doesn't blatantly attack or plow through ships at sea simply because they are there. In fact, with larger ships like aircraft carriers, he simply dove down under them. Even when he was attacked by the military, he didn't noticeably react or fight back and simply continued to hunt the M.U.T.O.s, even when he was being followed in close proximity by four naval ships.

He also does not seem to intentionally cause destruction. Even when he destroyed the Golden Gate Bridge, it did not appear to be intentional, but rather just him reacting from being hit in the gills by missile fire. He shows little interest in humans, instead focusing his attention entirely on the M.U.T.O.s. After defeating both M.U.T.O.s, he leaves the humans alone without any more conflict.

Origins
In Godzilla: Awakening, the prequel to Godzilla, Godzilla was explained to be an ancient life form from the Permian period, having survived various extinction events by consuming geothermal radiation in a hibernation-like state at the bottom of the sea until being awakened in 1954 by a nuclear submarine.

Godzilla was theorized by Ishiro Serizawa to have been the alpha predator of his ecosystem, and prevented the other species from overpopulating and overrunning the world, acting as a force of nature that maintained balance.

Godzilla
An ancient alpha-predator that thrived during the Permian period, Godzilla retreated to the ocean depths as the Earth's surface radiation levels declined, instead feeding on the planet's natural geothermal radiation. Godzilla remained dormant underwater for hundreds of millions of years, appearing occasionally at various points in human history, inspiring the mythologies of several cultures. In 1954, an American nuclear submarine unwittingly awakened Godzilla when it reached the lower depths of the ocean, drawing him to the surface in search of new sources of radiation. Godzilla attacked and fed on American and Soviet nuclear submarines in the South Pacific Ocean, with each nation believing the other was responsible for the attacks.

When Godzilla's existence became known, the American military began detonating a series of nuclear bombs in the Marshall Islands to try and kill him, under the guise of nuclear testing. On March 1, 1954, Godzilla was lured ashore at Bikini Atoll, where the American military detonated their first-ever dry-fuel hydrogen bomb, codenamed Castle Bravo, in an attempt to kill him. Godzilla vanished following the detonation, and the United States covered up all evidence of his existence. A scientific organization known as Monarch had been formed to study Godzilla and any gigantic creatures like him, and continued to search for him in the following decades.

In 2014, Godzilla detected the mating call of a M.U.T.O., a parasitic lifeform that lived during Godzilla's time and laid its eggs in corpses of his species. In order to preserve his own existence, Godzilla came ashore in Honolulu to fight the winged male M.U.T.O. before it could reunite with its female counterpart and reproduce. Godzilla confronted the M.U.T.O. at the Honolulu airport, engaging in a brief clash before the M.U.T.O. flew back out over the ocean. Godzilla dove underwater and continued pursuing his enemy. The United States military believed Godzilla to be just as dire a threat as the M.U.T.O., although Monarch scientist Ishiro Serizawa stated that Godzilla was only here to hunt the M.U.T.O. and that he should be allowed to do so. When the female M.U.T.O. emerged in Nevada and began heading to California to reunite with the male, the military formed a plan to lure Godzilla and both M.U.T.O.s out to a remote island and kill them all with a nuclear warhead several times more powerful than Castle Bravo. Serizawa believed the detonation would fail to kill any of the creatures and warned William Stenz, the Navy admiral in charge of the operation, to call off the attack. Stenz regretfully told Serizawa they had no choice and allowed the warhead to be armed and carried by boat over San Francisco Bay.

The male M.U.T.O. used its electromagnetic pulse to disable the military's vehicles and stole the warhead, using it as a nest on which the female could lay its eggs. Godzilla emerged from the Bay shortly afterward, surfacing near the Golden Gate Bridge. Tanks were deployed onto the bridge and opened fire on Godzilla while civilians were attempting to cross it. Godzilla withstood the artillery fire until a blast hit him in the gills, causing him to smash into the bridge and split it in half. Godzilla roared and continued to approach the city, where the M.U.T.O.s had constructed their nest.

When Godzilla entered downtown San Francisco, the male M.U.T.O. attacked him while its mate laid her eggs. Meanwhile, several soldiers were sent into the heart of the city via a HALO jump to recover and disarm the warhead before it could explode. Godzilla finally reached the nest and roared at the female M.U.T.O., who charged at Godzilla and attacked him. Soon, the male reentered the battle and both M.U.T.O.s double-teamed Godzilla. With the nest unguarded, the soldiers recovered the warhead, while Ford Brody opened a gasoline line, causing the entire nest to explode in a fireball. Both M.U.T.O.s witnessed the explosion and stopped pummeling Godzilla and rushed back to their nest. The female M.U.T.O. grieved over her dead offspring, but became enraged after seeing Brody near the nest. Before the M.U.T.O. could kill Brody, Godzilla emerged behind her and blasted her with his atomic breath, buying time for Brody and the other soldiers to carry the warhead to the docks. The male flew behind Godzilla and pulled him out of the way, allowing the female to chase after the soldiers. As the male flew behind Godzilla to try and grab him again, Godzilla swung his tail at it, impaling the M.U.T.O. on a skyscraper and killing it. Godzilla stopped to catch his breath, only for a skyscraper to collapse onto him and bury him in rubble. As Godzilla laid on the ground being buried in debris, he caught a brief glimpse of Brody, who was running to the docks.

Brody ran to the docks, only to witness the female M.U.T.O. kill all of his companions. Brody grabbed the warhead and placed it on a boat, preparing to send it out to sea where it could detonate safely. Suddenly, the boat's engine deactivated as the female M.U.T.O. approached, her EMP field disabling all nearby electronics. Brody drew his pistol and aimed it at the M.U.T.O., fully expecting to be killed. Just then, Godzilla came up behind the M.U.T.O. and bit down on her neck, pulling her away from the boat. Godzilla grabbed the M.U.T.O.'s jaws and pried them open, then fired his atomic breath down her throat until her neck blew open and her head tore off. Godzilla roared victoriously before dropping the M.U.T.O.'s head and collapsing onto the ground unconscious. The boat reactivated and began heading out of the bay, while Brody was rescued by a helicopter.

The next morning, San Francisco was in ruins, while military and emergency personnel surrounded Godzilla's unconscious body. Serizawa and his assistant Vivienne Graham looked sadly at Godzilla, believing him to be dead. Suddenly, Godzilla's eye opened and he began to stir. Godzilla stood up and began walking back out to the ocean. Godzilla let out one last victorious roar before diving back into the sea and disappearing beneath the waves.

Godzilla: King of Monsters
Not much is known about the film's plot, but it has been confirmed that the film will also feature Mothra, Rodan and King Ghidorah.

Godzilla vs. Kong
The film's plot is not yet disclosed, but it is confirmed that Godzilla will encounter King Kong.

Amphibious lifestyle
In Godzilla, Godzilla now possesses gills/amphibious lungs so he can stay underwater indefinitely, but he closes them when he's on land and uses his lungs. These gills appear to be weak points, as Godzilla reacts whenever he is struck in the gills by artillery fire or strikes from the M.U.T.O.s' claws.

Atomic breath
As shown in Godzilla, Godzilla's atomic breath was more of a focused, fiery shaped energy beam that Godzilla spews out. Godzilla only used it against the M.U.T.O.s after he had taken a severe beating and was already growing weaker, showing that Godzilla only uses it as a last resort against opponents he can't physically overpower on his own.

Though it doesn't appear to have the same destructive properties as the versions prior, the blasts were strong enough to push back, severely weaken, and eventually kill, the female M.U.T.O., showing that while it may not have the destructive force of its predecessors, this version of Godzilla's atomic breath is still incredibly deadly in its own right.

It is, however, entirely possible that Godzilla never used his atomic breath at its full power, seeing as how Godzilla was already extremely weak when he began using it, while the film's official novelization and an earlier screenplay suggest that the female M.U.T.O.'s EMP field interferes with his atomic breath, so whether or not it's capable of more is unknown at this point. The neon-blue glow on Godzilla's begins at the tail and goes all the way to the top of his neck in this film.

Durability
In Godzilla, Godzilla was stated to have survived exposure to the nuclear tests carried out in the South Pacific in the 1950s, even appearing to have withstood the detonation of Castle Bravo, a 15-megaton hydrogen bomb, at Bikini Atoll while directly next to the bomb. A testament to his durability is his survival of the various prehistoric extinction events that happened before his encounters with humanity.

Additionally, like his previous incarnations, Godzilla showed no outwards signs of damage from any weaponry used by the United States Armed Forces, including heavy gunfire, missiles, tank shells, and various other weapons. In fact, Godzilla seemed to not even notice most of these attacks, only flinching slightly at artillery fire striking him at point-blank range and briefly showing visible pain after being struck directly in his gills. Godzilla was also pinned underneath a skyscraper that collapsed on him while he paused to catch his breath, but it did not keep him subdued for long as he quickly got back to his feet to continue pursuing his enemy.

While the M.U.T.O.s fought Godzilla to the point of exhaustion, he managed to get back to his feet and return to the ocean in a matter of hours, showing no physical fatigue or injury. This could be a testament to Godzilla's durability, meaning he was simply exhausted, or to his healing factor, meaning he recovered from any wounds he sustained by sunrise.

Energy absorption and projection
In Godzilla, Godzilla still feeds on nuclear radiation, and is able to sustain himself for millions of years at a time absorbing geothermal radiation from the Earth's core.

Intelligence
While fighting the M.U.T.O.s during the events of Godzilla, Godzilla figures out their strengths and weaknesses through repeated clashes with them. He lets the male M.U.T.O. fly to attack him, and he then used his tail to slam him into a building, killing him. With the female M.U.T.O., he fired his atomic breath right into her mouth after forcing it open, making her neck explode.

Physical abilities
Like his previous incarnations, the Legendary Godzilla possesses immense physical strength and can use his huge mass as a weapon. He is able to toss both the male and female M.U.T.O.s around with ease by biting into their bodies and he is able to effortlessly push the female M.U.T.O through a building. The strength of his tail swings are great enough to kill the male M.U.T.O outright as well as knock over a large skyscraper by accident.

Unlike previous incarnations, however, he didn't use his arms much to toss them around. This is due to his fighting style being modeled after bears which, despite having powerful front legs, use their jaws as their primary weapon.

Overall, the Legendary Godzilla's fighting style seems to be somewhat of a reversal of the typical Godzilla fighting style, preferring to be in close and in direct combat with his targets rather than relying on his atomic breath or throwing objects. Godzilla is also able to cause tsunamis by just going to shore.

Vulnerable gills
A weakness that the M.U.T.O.s exploited in Godzilla were the gills Godzilla possessed on his neck. Puncturing them caused him great pain and weakened him from repeated blows. This is also seen when he tried to make his way to San Francisco, a stray shot from the naval fleet managed to hit his gills and he toppled through the Golden Gate Bridge as a reaction.

Godzilla: The Game
''A relic species of an extinct organism which stood at the top of the ecosystem that was bombarded with high density radiation during Earth's Paleozoic Era. It escaped to the deep sea during the mass extinction of all living things in the Permian period. Lurking for eons at the bottom of the ocean, where it managed to perpetuate its species, it appeared on land once again in the 1940s, when it was tracked by both U.S. and Soviet armies.''

''Able to walk upright vertically on two legs, it can survive on land, in water, and below the earth. It possesses tremendous physical strength, and in combat, most foes are overwhelmed just by the enormous destructive power of its long tail. Its ultimate weapon is the heat ray it blasts from its mouth.''

''Although his version of Godzilla was created in Hollywood entirely through CGI animation, the production team put great emphasis on giving it the sense of a costumed character. For the battle in the last scene, human movements were reproduced with CGI animation using motion capture technology, so that the characters' personalities would shine through, allowing audiences to empathize with them.''